movie review
PM Film Critic Sean Collier counts down the 10 best films of the decade.
Greta Gerwig's masterful adaptation of the classic novel should please longtime fans as well as those discovering the story for the first time.
A career high point for Adam Sandler concerns a problematic gambler and a supernatural stone.
Don't overlook this charming, funny animated film featuring the voices of Tom Holland and Will Smith.
It may have trouble finding an audience, but the message of "Bombshell" is important.
The modern Star Wars trilogy concludes with an epic from director J.J. Abrams.
An utter disaster of a rant from Clint Eastwood wastes a good cast and a true story.
What magic the previous film had is mostly lost in this unimpressive sequel.
Although stretches of the film fall flat, the chemistry between two great performers carries Netflix's papal dramedy.
A corporate cover-up hits home — not far from Pittsburgh — in this timely legal thriller.
Noah Baumbach's heartbreaking tale of love and divorce may be 2019's best film.
Amazon's political thriller is strong, but might have trouble finding an audience.
The award-winning director discussed Fred and her film with Pittsburgh Magazine.
It's an inevitable step back from the original, but the sequel to the Disney megahit is still impressive.
Marielle Heller's film about a jaded journalist is a wonderful trip to Mister Rogers' Neighborhood.
Martin Scorsese's engaging mafia epic may well close the book on the cinema's obsession with mob movies.
The series revives with a refreshing focus on light, fun action.
This ambitious and technically impressive drama is badly tainted by a bloated runtime.
This family comedy will probably only keep your family's youngest members amused.
A merry sleigh ride careens off a cliff in the last moments of this holiday romance.
The straightforward biopic is a fitting and overdue tribute to Harriet Tubman.
As Eddie Murphy's comeback vehicle, the Netflix movie works well enough.
Don't mistake it for a fun Halloween fright, but "The Lighthouse" is a strong, troubling work of horror.
An unnecessary sequel squanders the already limited charm of the original film.