Sean Collier’s Popcorn for Dinner
Nicolas Cage milks alpacas and eventually loses his mind in this bizarre scifi flick.
Surprisingly, the dusty old franchise has produced a messy winner more than 20 years later.
Robert Downey Jr. takes on the classic character in a reboot that could've been worse (but still isn't very good).
The Academy gave in to its worst habits, presenting an uninspiring list of Oscar nominees.
Pittsburgh's own Billy Porter is the only real highlight in a mostly dull comedy.
The Golden Globe-winning war epic arrives in Pittsburgh — and it's one of the best films of 2019.
A new version of the Japanese horror favorite drowns its frights in bleak atmosphere.
PM Film Critic Sean Collier counts down the 10 best films of the decade.
Greta Gerwig's masterful adaptation of the classic novel should please longtime fans as well as those discovering the story for the first time.
A career high point for Adam Sandler concerns a problematic gambler and a supernatural stone.
Don't overlook this charming, funny animated film featuring the voices of Tom Holland and Will Smith.
It may have trouble finding an audience, but the message of "Bombshell" is important.
PM Film Critic Sean Collier counts down the 10 best films of 2019.
The modern Star Wars trilogy concludes with an epic from director J.J. Abrams.
An utter disaster of a rant from Clint Eastwood wastes a good cast and a true story.
What magic the previous film had is mostly lost in this unimpressive sequel.
Although stretches of the film fall flat, the chemistry between two great performers carries Netflix's papal dramedy.
A corporate cover-up hits home — not far from Pittsburgh — in this timely legal thriller.
Noah Baumbach's heartbreaking tale of love and divorce may be 2019's best film.
Amazon's political thriller is strong, but might have trouble finding an audience.
The historic theaters are shuttered effective immediately amid organizational changes at Pittsburgh Center for Arts and Media.
The domestic take for "A Beautiful Day in the Neighborhood" came in at the low end of industry expectations, but audiences loved the film.
The award-winning director discussed Fred and her film with Pittsburgh Magazine.
It's an inevitable step back from the original, but the sequel to the Disney megahit is still impressive.
