Sean Collier’s Popcorn for Dinner
Movie Review: Fatherhood
Netflix's drama has good intentions — and a star who is well out of his depth.
Movie Review: The Hitman's Wife's Bodyguard
The unnecessary comedy sequel sneaks in some laughs, but doesn't do enough to justify its existence.
George Romero’s Bizarre, Powerful “Amusement Park” is (Finally) Available
The short film, made as an unconventional plea against elder abuse, is now streaming on Shudder — and it contains rare footage of a bygone local theme park.
Movie Review: In the Heights
PM Film Critic Sean Collier says the new musical is an exhilarating experience.
Movie Review: The Conjuring 3
The horror series' latest installment, "The Devil Made Me Do It," may be a sign that time has run out on this franchise.
The First Narrative from Row House Films is the Curious, Memorable “Monuments”
The Lawrenceville film house will distribute the Chicago-made dramedy to arthouses around the country.
Movie Review: A Quiet Place Part II
The long-delayed thriller is effective, says Film Critic Sean Collier, even if it is more of the same.
Movie Review: Cruella
Film critic Sean Collier evaluates an unusual entry in Disney's line of live-action reboots.
Viola Davis and George C. Wolfe on ‘Timeless’ August Wilson
The star and director of “Ma Rainey’s Black Bottom” share thoughts on the adaptation and their late co-star.
Dependable Drive-In Welcomes Moviegoers With Smart, Safe Measures
The longstanding outdoor cinema addresses COVID-19 concerns and provides a great night out.
The 400-Word Review: Uncorked
Netflix's family drama doesn't break new ground, but it tells its story well.
Miss Movie Theaters? Head to Row House Online
The Lawrenceville theater has launched an online platform for acclaimed, Pittsburgh-exclusive releases.
The 400-Word Review: Bloodshot
The Vin Diesel action flick, briefly released before cinemas closed, has moved to an early digital release.
The 400-Word Review: The Occupant
Netflix's suspenseful new film transitions deftly from drama to thriller.
The 400-Word Review: The Platform
Netflix's new thriller will be too dark for many viewers, but it's a compelling choice for horror fans.
The 400-Word Review: Big Time Adolescence
Pete Davidson gives an impressive turn (even if it is right in his wheelhouse) in this thoughtful comedy.
The 400-Word Review: Lost Girls
Netflix's latest feature is a somber, but important, true-crime drama.
The 400-Word Review: The Hunt
Don't believe the hype; at best, this grisly political satire is accidentally shocking. It's mostly just dumb.
The 400-Word Review: Spenser Confidential
Mark Wahlberg returns to his wheelhouse with satisfying results in this Netflix police drama.
The 400-Word Review: Onward
Heartfelt performances propel Pixar's lovely fantasy comedy.
The 400-Word Review: Emma.
A fresh take on the classic novel isn't fresh enough, despite a dynamic lead performance.
The 400-Word Review: CatVideoFest 2020
Watch cats frolick, squabble and cuddle in this collection of feline films.
