Sean Collier’s Popcorn for Dinner
Barry Jenkins' beautiful follow-up to "Moonlight" confirms the writer/director is a first-rate filmmaker.
While it's outshined by a similar rival currently in theaters, the historical drama has plenty to offer.
DC's latest superhero flick is ridiculous and over-the-top, but it just barely comes together.
The belated Disney sequel is a waste of a practically perfect character, even in its winning moments.
The quirky period drama starring Emma Stone is one of the year's best films.
The animated wing of Spider-Man's movie world proves to be a groundbreaking step in animation.
Natalie Portman stars in an intriguing (but strange) popstar story.
Another attempt to start a dystopian franchise can't deliver on its strong premise.
It's a fair Vincent Van Gogh biopic, but fails to make a strong impression.
It's tough to take a setting this creepy and waste it, but this limp possession flick manages to do just that.
It's not the revelation its predecessor was, but it makes for a perfectly engaging boxing flick.
Don't mistake this breezy drama for Oscar material; it's a well-acted holiday ramble, but not much more.
While Harry Potter diehards will find more than enough sustenance in the sequel, non-devotees may have a rough time following the action.
The Coen Brothers' western anthology is less than the sum of its parts, but it boasts some great tales.
Melissa McCarthy shines in an unconventional tale.
In Netflix's historical epic, Braveheart gets another chapter (and an upgrade).
Great performances lift the family drama. But was a better movie left behind?
A good performance keeps the Freddie Mercury biopic from falling completely flat.
The troubling, disorienting remake of the horror classic is a masterpiece.
Robert Redford's alleged final performance is a quiet, fitting farewell.
Forty years later, a new "Halloween" resets most of the franchise and returns to form.
"First Man" manages to capture the awe that landing on the moon should — and all but guarantees Ryan Gosling an Oscar nomination.
The high-profile remake is a good, old-fashioned movie musical with a lot to offer.
The comic-book villain's solo outing is a big, goofy mess.