Drummer Jeff “Tain” Watts is taking inspiration from the works of playwright August Wilson –– born a generation prior in the same neighborhood –– to compose a suite of music that reaches into new territory.
Alex Da Corte’s installation at the Carnegie International combines architecture, light, sound and performance — and even Alex as Mister Rogers — with a dash of devilment.
Reviews of Clean Time: “The True Story of Ronald Reagan Middleton”
by Ben Gwin, “This Darkness Got To Give” by Dave Housley and “Thank Your Lucky Stars” by Sherrie Flick.
The all African-American theater company is celebrating 10 years and 50 performances with a new, permanent home, a new fellowship program and even more original work.