Sean Collier’s Popcorn for Dinner
Writer/director Zach Braff’s third film is so bleak and clunky that even megastar Florence Pugh can’t save it.
This found-footage flick is undoubtedly extreme; for the toughest audiences, though, it's a remarkable cosmic terror.
Deep into this slasher franchise, the filmmakers are still finding ways to freshen up the proceedings — such as a thrilling relocation to the streets of Manhattan.
Adonis Creed is back, but his foe brings more than just haymakers in this gripping sequel.
A new remake of the Stephen King story understands small-town life, but doesn't know how to tell a good story (or cook up decent effects).
There's more than just an attention-grabbing title to this smart, over-the-top comedy.
You might not follow every twist in this tale of con artists working one another, but it's stylish enough to overcome a clunky plot.
There's nothing really wrong with Marvel's latest cosmic collision, but it doesn't distinguish itself.
The dirty-dancing franchise returns with a perfunctory yet well-made concluding chapter.
Netflix's Valentine's-weekend romcom is a prototypical light romance — and that shows why we don't really need these flicks anymore.
The latest M. Night Shyamalan thriller is better than some of his duds, but the director can't stay out of his own way.
This computer-screen thriller makes good use of its gimmick and provides a twisty, enjoyable mystery.
The title is as straightforward as the plot in this throwback action romp.
Hulu's dark comedy starts with a baby fumble, but quickly explores the quirks of middle-aged Millennials.
The mystery, which debuts on Netflix Friday, is a wintry whodunit with some beautiful shots of the region.
PM Film Critic Sean Collier reviews the new film as it makes its long-awaited local debut.
It was a year of creativity and surprises at the cinema, but one movie took the throne early and held it all year long.
Brendan Fraser is remarkable, but director Darren Aronofsky holds “The Whale” back from greatness.
This rollicking, riotous trip back to Hollywood's past is sloppy, but too fun to miss.
Those in search of a streaming pick should seek out the effective, haunting directorial debut from Nikyatu Jusu.
The long-awaited sequel to the blockbuster “Avatar” is a remarkable visual spectacle, so advanced that it looks like it’s from the future.
The second “Pinocchio” adaptation of the year is a dark fantasy — as well as a brilliant work of stop-motion animation — from Guillermo del Toro.
Jim Parsons is great in this real-life tragedy, but it may be too depressing to bother watching.
For those who like their holiday movies a little more “Die Hard,” there’s an entertaining (if bloody) new yuletide action flick starring David Harbour as Santa Claus.
