Sean Collier’s Popcorn for Dinner
This riff on “Frankenstein” from director Yorgos Lanthimos isn’t merely a fresh and exciting take on an old story — it’s the best film of the year.
A family tragedy is brought to vivid life in this compelling drama from A24.
The latest take on the classic candy man isn't bad — but it's too muddled to be all that good.
If "The Boy and the Heron" is indeed the final film from master animator Hayao Miyazaki, it's a fitting farewell.
Eddie Murphy and Tracee Ellis Ross star in an imaginative but ultimately unremarkable holiday caper.
With powerhouse performances by Natalie Portman and Julianne Moore, Todd Haynes’ drama is a worthy Oscar hopeful.
Ridley Scott’s biopic tears down the emperor’s great-man status with a smart script and keen performances.
Intended as a celebration of Disney on the occasion of the studio’s 100th anniversary, “Wish” is overloaded with references and in-jokes.
This prequel works well enough — until it sticks around for far too long.
The soccer comedy isn’t funny enough to separate it from a hundred similar underdog stories.
The latest chapter in the never-ending Marvel Cinematic Universe story succeeds with the help of three immensely talented stars.
Sofia Coppola’s Priscilla Presley biopic is too quiet to hold the audience’s interest and too cautious to truly interrogate its subject.
The opening-night feature at the Three Rivers Film Festival, Alexander Payne’s “The Holdovers,” is a remarkable drama with great performances — as well as a very unusual sort of Christmas movie.
The Pittsburgh-made biopic is the kind of historical lesson that should be taught in schools — and it features an Oscar-caliber performance from Colman Domingo.
This Netflix drama, with Emily Blunt and Chris Evans, is entertaining — but entertainment may not be quite appropriate when dealing with tragic subject matter.
The massively popular video-game series gets a spooky adaptation that will please fans but bore casual audiences.
This shocking horror film may be too much for many viewers, but genre fans will be morbidly pleased.
Martin Scorsese’s true-crime epic is rich in craft — and excess.
Amazon’s courtroom drama is lifted to victory by a game cast.
Taylor Swift’s hotly anticipated concert film is expected to break box-office records.
The city’s largest movie screen will revive a seasonally appropriate favorite each Saturday for nearly three months.
The 10th chapter in the ultra-violent franchise changes the formula slightly, with compelling — if grisly — results.
A new science-fiction epic from the director of “Rogue One” borrows quite a bit from “Blade Runner” — and that might be its saving grace.
In our Retro Review series, we ask our editorial intern Emma Malinak to watch made-in-Pittsburgh flicks from the 20th century — long before she was even born.
