Sean Collier’s Popcorn for Dinner
A good dog saves the day, and the film, in this so-so adventure flick.
Lindsay Lohan stars in a Netflix romcom that aims to follow the Hallmark model.
This Blumhouse horror film is uneven, but it separates itself from the pack with a bizarre conclusion.
The epic story continues with a deep dive into politics and battle — and a plethora of striking images.
Adam Sandler’s somber journey through the stars doesn’t approach its lofty ambitions.
This madcap road trip, filmed mostly in Western Pennsylvania, is an instant comedy classic.
Aside from its lead performance, Sony's latest spider spinoff is uniformly terrible.
The music saves an otherwise by-the-numbers biopic.
A throwback full of ’80s fashions — and that era's comedic sensibilities — this monstrous love story is unexpectedly charming.
War erupts between a half-dozen astronauts in a thriller that is much more fun than it is good.
No one’s going to call this one good, but it certainly delivers the mayhem it promises.
The musical adaptation of the beloved comedy is a good time, even if it can’t quite decide what it wants to be.
Turns out making a pool scary isn't nearly enough to drive a horror movie.
An unlikely pack of varied films — from an award-winning courtroom drama to an underdog monster movie — emerged as the best.
Adam Driver stars as the automotive kingpin in a biopic without much gas in the tank.
Excellent performances anchor this adaptation of the hit Broadway musical.
This riff on “Frankenstein” from director Yorgos Lanthimos isn’t merely a fresh and exciting take on an old story — it’s the best film of the year.
A family tragedy is brought to vivid life in this compelling drama from A24.
The latest take on the classic candy man isn't bad — but it's too muddled to be all that good.
If "The Boy and the Heron" is indeed the final film from master animator Hayao Miyazaki, it's a fitting farewell.
Eddie Murphy and Tracee Ellis Ross star in an imaginative but ultimately unremarkable holiday caper.
With powerhouse performances by Natalie Portman and Julianne Moore, Todd Haynes’ drama is a worthy Oscar hopeful.
Ridley Scott’s biopic tears down the emperor’s great-man status with a smart script and keen performances.
Intended as a celebration of Disney on the occasion of the studio’s 100th anniversary, “Wish” is overloaded with references and in-jokes.
