Sean Collier’s Popcorn for Dinner
Style and spectacle abound in a prequel that demands to be seen on the big screen.
It’s more for your inner child than actual children, but “IF” is too charming to dismiss.
A retread of a widely watched documentary, “Back to Black” is a cash grab and little more.
There are some decent monkeyshines scattered throughout this epic, but the series is still too dull and too self-important.
Jerry Seinfeld’s Pop-Tart parody is a delightful throwback to the big, bold comedies of the past.
Legally, it’s a parody — but this coming-out story is also one of the best big-screen superhero flicks in recent memory.
It’s decidedly over-the-top, but this raucous action comedy is endlessly entertaining.
Zendaya stars in a movie for grown-up audiences who want a tense and tawdry night at the cinema.
Alex Garland’s alternate-reality war picture is chilling, even if it doesn’t land the arguments its filmmaker wants to make.
Despite some marquee fights, the latest chapter of the so-called Monsterverse is a missed opportunity.
Even in an era of nostalgia-bait, this late sequel is callous in trying to profit off of its progenitor’s reputation.
Whatever little magic existed in the original film is absent from this ill-advised remake.
A good dog saves the day, and the film, in this so-so adventure flick.
Lindsay Lohan stars in a Netflix romcom that aims to follow the Hallmark model.
This Blumhouse horror film is uneven, but it separates itself from the pack with a bizarre conclusion.
The epic story continues with a deep dive into politics and battle — and a plethora of striking images.
Adam Sandler’s somber journey through the stars doesn’t approach its lofty ambitions.
This madcap road trip, filmed mostly in Western Pennsylvania, is an instant comedy classic.
Aside from its lead performance, Sony's latest spider spinoff is uniformly terrible.
The music saves an otherwise by-the-numbers biopic.
A throwback full of ’80s fashions — and that era's comedic sensibilities — this monstrous love story is unexpectedly charming.
War erupts between a half-dozen astronauts in a thriller that is much more fun than it is good.
No one’s going to call this one good, but it certainly delivers the mayhem it promises.
The musical adaptation of the beloved comedy is a good time, even if it can’t quite decide what it wants to be.